Scrying, also known by various names such as “seeing” or “peeping”, is the practice of looking into a suitable medium in the hope of detecting significant messages or visions. The objective might be personal guidance, prophecy, revelation, or inspiration, but down the ages, scrying in various forms also has been a means of divination or fortune-telling. There is no definitive distinction between scrying and other aids to clairvoyance, augury, or divination, but roughly speaking, scrying depends on fancied impressions of visions in the medium of choice. Ideally in this respect it differs from augury, which relies on interpretations of objectively observable objects or events (such as flight of birds); from divination, which depends on standardized processes or rituals; from oneiromancy, which depends on the interpretation of dreams; from the physiological effects of psychoactive drugs; and from clairvoyance, which notionally does not depend on objective sensory stimuli. Clairvoyance in other words, is regarded as amounting in essence to extrasensory perception. Scrying is neither a single, clearly defined, nor formal discipline and there is no uniformity in the procedures, which repeatedly and independently have been reinvented or elaborated in many ages and regions. Furthermore, practitioners and authors coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or Hellenisations of descriptions of the media or activities. Examples of names coined for crystal gazing include “crystallomancy”, “spheromancy”, and “catoptromancy”. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.Scrying has been practiced in many cultures in the belief that it can reveal the past, present, or future. Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary. One class of methods of scrying involves a self-induced trance, with or without the aid of a medium such as a crystal ball or, even via modern technology such as a smartphone among other things. Some say that the sensation is drug-like, some that various drugs can potentiate the experience; others categorically exclude any connection with drug usage, claiming that it invalidates any images observed. Many practitioners say that the scrying medium initially serves to focus attention, removing unwanted thoughts from the mind in much the same way as repetition of a mantra, concentration on a mandala, inducing the relaxation response, or possibly by hypnosis. Once this stage is achieved, the scryer may begin free association with the perceived images. The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, attempts to deepen the trance state. In this state some scryers hear their own disassociated voices affirming what they see, in a mental feedback loop. Practitioners apply the process until they achieve a satisfactory state of perception in which rich visual images and dramatic stories seem to be projected within the medium itself, or in the mind’s eye of the scryer. They claim that the technique allows them to see relevant events or images within the chosen medium. Nostradamus practiced scrying; he would stare into a bowl of water or a “magic mirror” to see the future while he was in trance.
Appearance List Crystal-Gazing and the Wonders of Clairvoyance (1897) by John Melville – practical guide to crystal-gazing, including instructions, history, and a section excerpted from Jacob Dixon’s Hygienic Clairvoyance; Psychomancy and Crystal Gazing: A Course of Lessons (1908) by William Walker Atkinson (as “Swami Panchadasi”) – structured course in psychic phenomena, including crystal gazing among various clairvoyant techniques; Crystal Gazing: Spiritual Clairvoyance Behind the Veil (1913) attributed to L. W. de Laurence (but actually by Melville & Dixon) – re‑titled/pirated version of earlier works on crystal gazing and clairvoyance; Crystal Vision through Crystal Gazing (1923) by Charles Stansfeld Jones (“Frater Achad”) – Occult‑themed practical treatise on scrying with crystals, linked to Thelemic/Kabbalistic practice; Crystal-Gazing: A Study in the History, Distribution, Theory and Practice of Scrying (1924) by Theodore Besterman – the art and history of crystal‑gazing (i.e., scrying); The Angel of the West Window (1927) by Gustav Meyrink – A novel rich in occult, hermetic, and mystical content, weaving themes of alchemy, mediumship, and scrying as part of the narrative (specifically referencing John Dee’s practices).
Sample Read Astonishing Legends: Episode 202 The Scrying Game [YT]
Description Scrying, also known by various names such as “seeing” or “peeping”, is the practice of looking into a suitable medium in the hope of detecting significant messages or visions. The objective might be personal guidance, prophecy, revelation, or inspiration, but down the ages, scrying in various forms also has been a means of divination or fortune-telling. There is no definitive distinction between scrying and other aids to clairvoyance, augury, or divination, but roughly speaking, scrying depends on fancied impressions of visions in the medium of choice. Ideally in this respect it differs from augury, which relies on interpretations of objectively observable objects or events (such as flight of birds); from divination, which depends on standardized processes or rituals; from oneiromancy, which depends on the interpretation of dreams; from the physiological effects of psychoactive drugs; and from clairvoyance, which notionally does not depend on objective sensory stimuli. Clairvoyance in other words, is regarded as amounting in essence to extrasensory perception. Scrying is neither a single, clearly defined, nor formal discipline and there is no uniformity in the procedures, which repeatedly and independently have been reinvented or elaborated in many ages and regions. Furthermore, practitioners and authors coin terminology so arbitrarily, and often artificially, that no one system of nomenclature can be taken as authoritative and definitive. Commonly terms in use are Latinisations or Hellenisations of descriptions of the media or activities. Examples of names coined for crystal gazing include “crystallomancy”, “spheromancy”, and “catoptromancy”. As an example of the looseness of such terms, catoptromancy should refer more specifically to scrying by use of mirrors or other reflective objects rather than by crystal gazing. Other names that have been coined for the use of various scrying media include anthracomancy for glowing coals, turifumy for scrying into smoke, and hydromancy for scrying into water. There is no clear limit to the coining and application of such terms and media.Scrying has been practiced in many cultures in the belief that it can reveal the past, present, or future. Some practitioners assert that visions that come when one stares into the media are from the subconscious or imagination, while others say that they come from gods, spirits, devils, or the psychic mind, depending on the culture and practice. There is neither any systematic body of empirical support for any such views in general however, nor for their respective rival merits; individual preferences in such matters are arbitrary. One class of methods of scrying involves a self-induced trance, with or without the aid of a medium such as a crystal ball or, even via modern technology such as a smartphone among other things. Some say that the sensation is drug-like, some that various drugs can potentiate the experience; others categorically exclude any connection with drug usage, claiming that it invalidates any images observed. Many practitioners say that the scrying medium initially serves to focus attention, removing unwanted thoughts from the mind in much the same way as repetition of a mantra, concentration on a mandala, inducing the relaxation response, or possibly by hypnosis. Once this stage is achieved, the scryer may begin free association with the perceived images. The technique of deliberately looking for and declaring these initial images aloud, however trivial or irrelevant they may seem to the conscious mind, attempts to deepen the trance state. In this state some scryers hear their own disassociated voices affirming what they see, in a mental feedback loop. Practitioners apply the process until they achieve a satisfactory state of perception in which rich visual images and dramatic stories seem to be projected within the medium itself, or in the mind’s eye of the scryer. They claim that the technique allows them to see relevant events or images within the chosen medium. Nostradamus practiced scrying; he would stare into a bowl of water or a “magic mirror” to see the future while he was in trance.
