The Fleshless Ones were a race of malevolent, skeletal beings first introduced in Fawcett’s horror line. Cruel, vicious and totally without mercy, they were bent on world domination, having succeeded in infiltrating human society at various levels. When rookie patrolman Perry Mahoney answers a desperate cry for help, he is confronted by a race of undead beings lurking in deep caverns and dark places beneath the streets. Motivated purely by hate, these creatures secretly plot to wipe out humanity and turn the world into a vast graveyard ruled over by the dead. When Mahoney discovers their existence, they respond by abducting his girlfriend, planning to convert her to one of “them” through a process too horrific to conceive. Tracking them to their lair, Mahoney manages to save Ellen from a fate literally worse than death … only to discover that she may not be all that she seems. Note: An early piece illustrated by comics veteran Sheldon Moldoff, The Fleshless Ones set a precedent for several later scenarios involving the Beyond. In Fawcett’s loosely structured continuity, the dead often loathed or envied the living, devising plans to obliterate the entire human species from the face of the planet – a plotline recalling some of H. P. Lovecraft’s weird fiction. The story’s grim conclusion also bears a remarkable similarity to Invasion of the Body Snatchers, although the movie actually appeared some years later in 1956.
Description The Fleshless Ones were a race of malevolent, skeletal beings first introduced in Fawcett’s horror line. Cruel, vicious and totally without mercy, they were bent on world domination, having succeeded in infiltrating human society at various levels. When rookie patrolman Perry Mahoney answers a desperate cry for help, he is confronted by a race of undead beings lurking in deep caverns and dark places beneath the streets. Motivated purely by hate, these creatures secretly plot to wipe out humanity and turn the world into a vast graveyard ruled over by the dead. When Mahoney discovers their existence, they respond by abducting his girlfriend, planning to convert her to one of “them” through a process too horrific to conceive. Tracking them to their lair, Mahoney manages to save Ellen from a fate literally worse than death … only to discover that she may not be all that she seems. Note: An early piece illustrated by comics veteran Sheldon Moldoff, The Fleshless Ones set a precedent for several later scenarios involving the Beyond. In Fawcett’s loosely structured continuity, the dead often loathed or envied the living, devising plans to obliterate the entire human species from the face of the planet – a plotline recalling some of H. P. Lovecraft’s weird fiction. The story’s grim conclusion also bears a remarkable similarity to Invasion of the Body Snatchers, although the movie actually appeared some years later in 1956.
