Dr. Death was a horror host, similar to Harvey’s Man in Black, who frequently orchestrated the events that he narrated. While the Doctor acted mainly in an observational role, he was also known to drive characters to their doom by taking on human form, feeding victims false advice, or betraying their trust when they most needed help. Dr Death was provided with a back story in Haunted #12, in which American screenwriter Richard Mord discovers a doorway to The Beyond in an ancient European castle. After a near lethal encounters with ghouls, demons, and the vampiric Countess Siroon, Mord is revealed to be the absent master of this hellish domain. Through unexplained circumstances, Death had assumed human form and lost all memory of his supernatural origins. The story ends with Mord/Death resuming his place as ruler of The Beyond (along with his duties as Haunted’s malevolent host). As the literal personification of death, Doctor Death acts as a “psychopomp”, collecting human souls and transporting them to his Hadean kingdom, described in one story as The Beyond. In this capacity, he has sovereign power over witches, demons, vampires, and various other supernatural beings, which are charged to do his bidding. Assuming the role of Grim Reaper, he can travel at will between the Earth and The Beyond, evidently having the ability to transcend both space and time itself. In addition, he is capable of moving unseen through the Living Realm, subliminally influencing the fates of his intended victims. When direct intervention is required, he can either reveal himself as the Specter of Death, i.e. the medieval Grim Reaper, or assume human form to interact with those around him. While human, he appears to retain some degree of his supernatural powers, being capable of flying and subduing demonic creatures. In various stories, he has taken the form of a screenwriter (“The Door”), an orchestral conductor (“Satan’s Stradivari”), and a locomotive engineer (“The Last Express”), amongst others. He is sometimes portrayed as the supreme power of The Beyond, to such an extent that even the devil (“Mephisto Satan”) is described as his lieutenant.
Appearance List This Magazine is Haunted #1-14 (Fawcett), Whiz Comics #154, This Magazine Is Haunted v1 16-21 (Charlton)
Sample Read This Magazine is Haunted (Fawcett) [DCM] [CB+]
Description Dr. Death was a horror host, similar to Harvey’s Man in Black, who frequently orchestrated the events that he narrated. While the Doctor acted mainly in an observational role, he was also known to drive characters to their doom by taking on human form, feeding victims false advice, or betraying their trust when they most needed help. Dr Death was provided with a back story in Haunted #12, in which American screenwriter Richard Mord discovers a doorway to The Beyond in an ancient European castle. After a near lethal encounters with ghouls, demons, and the vampiric Countess Siroon, Mord is revealed to be the absent master of this hellish domain. Through unexplained circumstances, Death had assumed human form and lost all memory of his supernatural origins. The story ends with Mord/Death resuming his place as ruler of The Beyond (along with his duties as Haunted’s malevolent host). As the literal personification of death, Doctor Death acts as a “psychopomp”, collecting human souls and transporting them to his Hadean kingdom, described in one story as The Beyond. In this capacity, he has sovereign power over witches, demons, vampires, and various other supernatural beings, which are charged to do his bidding. Assuming the role of Grim Reaper, he can travel at will between the Earth and The Beyond, evidently having the ability to transcend both space and time itself. In addition, he is capable of moving unseen through the Living Realm, subliminally influencing the fates of his intended victims. When direct intervention is required, he can either reveal himself as the Specter of Death, i.e. the medieval Grim Reaper, or assume human form to interact with those around him. While human, he appears to retain some degree of his supernatural powers, being capable of flying and subduing demonic creatures. In various stories, he has taken the form of a screenwriter (“The Door”), an orchestral conductor (“Satan’s Stradivari”), and a locomotive engineer (“The Last Express”), amongst others. He is sometimes portrayed as the supreme power of The Beyond, to such an extent that even the devil (“Mephisto Satan”) is described as his lieutenant.
