In “The Raven”, the narrator is reading in the late night hours from “many a quaint and curious volume of forgotten lore”. Similar to the studies suggested in Poe’s short story “Ligeia”, this lore may be about the occult or black magic. This is also emphasized in the author’s choice to set the poem in December, a month which is traditionally associated with the forces of darkness. The use of the raven — the “devil bird” — also suggests this. This devil image is emphasized by the narrator’s belief that the raven is “from the Night’s Plutonian shore”, or a messenger from the afterlife, referring to Pluto, the Roman god of the underworld.
Alias Death |
Real Names/Alt Names Death |
Characteristics Personification, Literary Characters, Occult, Plutonian, Realism and Victorian Age |
Creators/Key Contributors Gustave Doré, Edgar Allen Poe |
First Appearance “The Raven” in the New York Evening Mirror (January 29, 1845) |
First Publisher George C. Harrap & Company |
Appearance List Collection: Tales of Mystery and Imagination (1923). |
Sample Read Tales of Mystery and Imagination [Internet Archive] |
Description In “The Raven”, the narrator is reading in the late night hours from “many a quaint and curious volume of forgotten lore”. Similar to the studies suggested in Poe’s short story “Ligeia”, this lore may be about the occult or black magic. This is also emphasized in the author’s choice to set the poem in December, a month which is traditionally associated with the forces of darkness. The use of the raven — the “devil bird” — also suggests this. This devil image is emphasized by the narrator’s belief that the raven is “from the Night’s Plutonian shore”, or a messenger from the afterlife, referring to Pluto, the Roman god of the underworld. |
Source The Raven – Wikipedia |