Gianetti Annunciata is a “petticoated” medium for Sâr Dubnotal, who combined, in her manner, the “gay working girl” and the “high priestess” who could communicate with the dead, assisted by a small “spiritual telegraph” machine. “Brunette, thin and nervous, the Italian woman was so perpetually distraught that, despite being very attractive, she only projected a gaze of bleak indifference…”
First Appearance “Le Manoir Hanté de Creh’h-ar-Vran” (“The Haunted Manor of Creh’h-ar-Vran”) in Sâr Dubnotal #1 (1909)
First Publisher Eichler
Appearance List Sâr Dubnotal #1-20 (1909-1910): “Le Manoir Hanté de Creh’h-ar-Vran” (“The Haunted Manor of Creh’h-ar-Vran”), “La Table Tournante du Docteur Tooth” (“Dr. Tooth’s Turning Table”), “Le Puits Fatal” (“The Fatal Well”), “Le Médium Tragique” (“The Tragic Medium”), “La Grêve Sanglante” (“The Bloody Beach”), “La Détraquée du Passage Rimbaut” (“The Madwoman of Passage Rimbaut”), “Tserpchikopf, le Sanglant Hypnotiseur” (“Tserpchikopf, the Bloody Hypnotist”), “La Piste Astrale” (“The Astral Trail”), “L’Écartelée de Montmartre” (“The Quartered Woman of Montmartre”), “Jack l’Éventreur” (“Jack the Ripper”), “Haine Posthume” (“Posthumous Hatred”), “La Fiancée de Gibraltar” (“The Fiancée from Gibraltar”), “Les Vampires du Cimetière” (“The Vampires of the Cemetery”), “L’Empreinte Rouge” (“The Red Mark”), “La Somnambule du Gué Sanglant” (“The Somnambulist of the River of Blood”), “L’Affaire Azzef-Poloukhine” (“The Azzef-Poloukhine Case”), “Un Complot Terroriste” (“A Terrorist Plot”), “Dans l’Enfer Sibérien” (“In the Siberian Hell”), “Azzef, le Roi des Agents Provocateurs” (“Azzef, King of the Agents Provocateurs”), “Double-Taf, le Dernier des Pentyerns” (“Double-Taf, Last of the Pentyerns”).
Sample Read ○
Description Gianetti Annunciata is a “petticoated” medium for Sâr Dubnotal, who combined, in her manner, the “gay working girl” and the “high priestess” who could communicate with the dead, assisted by a small “spiritual telegraph” machine. “Brunette, thin and nervous, the Italian woman was so perpetually distraught that, despite being very attractive, she only projected a gaze of bleak indifference…”
